Berstein's Overture to Candide
This song is refuckulous. My orchestra director just asked me to take the load off one of the other trumpet players by taking on the first trumpet part in A WEEK AND A HALF. I got the sheet music and went through it once and was like "eh, s'not so bad." Then I listened to a recording and realized that I'd been playing at, oh, about ONE-THIRD SPEED.
Seriously, it's like playing through someone else's manic episode. It's crazy-ass fast, all over the staff, and shift themes so quickly as to make one dizzy. Even when you're not playing, keeping track of where you are is a challenge. Counting? Sure, you can try, but the times signatures are all out of whack. There are portions where it's shifting back and forth every three measures. Seriously. It's like your hanging on to a speeding train by your fingertips, trying to count where you are, keeping track of the time changes. "4/4, 4/4, 3/2, 4/4, 4/4, 3/2, 4/4, 4/4, 3/2, 6/8" "WHAT" "oh, I'm sorry, 6/8 cut time" "THIRD BASE" and then it bounces me up to a C above the staff. Two beats later, it says "mute." "You mean I put my mute in then?" "No, you play with your mute in." "When do I put it in?!" "You have two beats." "TWO BEATS IN CUT TIME MOVING SOMEWHERE BETWEEN MULTO ALLEGRO AND WARP FIVE!"
FUCK.
Seriously, it's like playing through someone else's manic episode. It's crazy-ass fast, all over the staff, and shift themes so quickly as to make one dizzy. Even when you're not playing, keeping track of where you are is a challenge. Counting? Sure, you can try, but the times signatures are all out of whack. There are portions where it's shifting back and forth every three measures. Seriously. It's like your hanging on to a speeding train by your fingertips, trying to count where you are, keeping track of the time changes. "4/4, 4/4, 3/2, 4/4, 4/4, 3/2, 4/4, 4/4, 3/2, 6/8" "WHAT" "oh, I'm sorry, 6/8 cut time" "THIRD BASE" and then it bounces me up to a C above the staff. Two beats later, it says "mute." "You mean I put my mute in then?" "No, you play with your mute in." "When do I put it in?!" "You have two beats." "TWO BEATS IN CUT TIME MOVING SOMEWHERE BETWEEN MULTO ALLEGRO AND WARP FIVE!"
FUCK.